Auszeichnung
künstlerischer Projekträume
und -initiativen
Auszeichnung
künstlerischer Projekträume
und -initiativen
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2016
A TRANS
ADN Pförtnerhaus, Statsion, TACHO
Apartment Project e. V.
Art-Lab Berlin im iPhonedoctor
ausland
Berlin Community Radio
Büro BDP
Errant Sound
Group Global 3000 e. V.
grüntaler9
Kulturpalast Wedding International e. V.
Kunsthaus KuLe e. V.
Kunstverein Neukölln
LAGE EGAL
Lettrétage e. V.
Neue Berliner Räume e. V.
Scriptings
sign, CIAT
super bien! Gewächshaus für zeitgenössische kunst
ZWITSCHERMASCHINE/ Kulturpark 3000 e. V.
To run a space is a form of appreciation of other artists, it is an outcome of friendship and mutual understanding; it is an indication of trust between all involved. To run a space means to take responsibility. To run a space is not only self-organization – money may not be vital to put up a show – but it is for sure necessary to animate a space and keep it alive. The prize comes due to hard and merited work, but maybe a grant would be more befitting than a prize? Maybe an iron scaffold holding up a structure in advance is better suited than a gold star for accomplishments? To run a space is a full time job. A group of artists who share their enthusiasm, interests, time, and skills would impart a project with a larger circulation of assignments between the makers. I am convinced that the longevity and success of a space relies on a horizontally organized (net) work.
Was sich bis heute entwickelt hat, ist eine wichtige Grundlage für die Wertschätzung und Sichtbarkeit der Projekträume.
The word “project space” is almost misleading to me. Projects do not have to take place in spaces. Radio shows, Instagram takeovers, and outdoor screenings are also projects. To focus on the aspect of space itself is to take a narrow view of what could – and is – happening in Berlin at the moment. The ideal project space would come with a budget for production and overhead costs. Ideally, also the curators ought to get paid.