Auszeichnung
künstlerischer Projekträume
und -initiativen
Auszeichnung
künstlerischer Projekträume
und -initiativen
Archiv
:
2023
,
2022
,
2021
,
2020
,
2019
,
2018
,
2017
,
2016
,
2015
,
2014
,
2013
,
2012
Events
Archiv
Information
Stipendien 2021
Stipendien 2022
Statements
Rückblick
Kontakt
Impressum
2017
,
SCOTTY e. V.
2017
,
2006
Oranienstraße
46
Berlin
10969
scotty-berlin.de
GLUE,
Gruppenausstellung, kuratiert von Anelor Robin, 2016, Foto: Julia Krewani
Nach den Künstler*innen und Architekt*innen kamen die Designer*innen. Heute sind’s die Start-upper*innen.
It always feels quite special when an institution catches the zeitgeist of a moment. Project spaces have a lot more freedom in this sense, and they can truly, sincerely, reflect a moment or a movement as it is happening. They are essential to a critically active arts scene. Perhaps the orientation of project spaces has been forced to shift towards something more self-sustainable – but that might not be a bad thing.
These try-outs should be understood not in abstract terms, but in the light of the current struggles with labor, housing, racism, homophobia, and anti-fascist positions. If politicians can facilitate these processes for us to work, that would be great. We would wish that the situation wouldn’t look as somber but reality is also knocking on the door of the art sphere. Can politicians regulate the price for studios and project spaces? Can they facilitate real financial support for diversity? Can they push a little bit further and understand the complex situation of art practitioners during and after the pandemic, and give some more support?
