Auszeichnung
künstlerischer Projekträume
und -initiativen
Auszeichnung
künstlerischer Projekträume
und -initiativen
Archiv
:
2023
,
2022
,
2021
,
2020
,
2019
,
2018
,
2017
,
2016
,
2015
,
2014
,
2013
,
2012
Events
Archiv
Information
Stipendien 2021
Stipendien 2022
Statements
Rückblick
Kontakt
Impressum
2014
,
Raumerweiterungshalle / Selbstuniversität e. V.
2019
,
2014
,
2003
Markgrafendamm
24c
Berlin
10245
raumerweiterungshalle.net
… But definitely key words such as “project space”, “artist-run”, “grassroots”, “laboratory”, etc. are still good key words (to be constantly re-discussed) that underline the spirit and intention of such open experiments that somehow can only function as open experiments! A free interactive and inclusive format to create, express, and exchange interdisciplinary ideas with spontaneous, playful, DIY approaches; having access to and exchanging various physical spaces to manifest all facets of what independent cultural production can unfold – also in the sense of creating social awareness and responsibility due to the fact that every single participant, no matter the “role” or “title” is deeply aware & involved in the process of making things happen, sharing responsibilities and profits (if there are any 🙂 … Investors and businesses assumed the form of faceless international partnerships with enormous capital and devouring public resources deciding on the future of all citizens, delivering less and less social protection and consideration for cultural and social diversity.
The art scene, spaces, artists, and initiators in the past ten years (being a continuum of what has gone before) in a nutshell, can be seen to have changed from individual authorships to more collective ones. They act in opposition to the anonymized corporate structures, in particular the giant housing conglomerates (these destructive collective edifices that have the same legal rights as a sentient individual human being) that threaten to dissemble the unique fabric of the city of Berlin that provided a fertile ground in which these initiatives could rise, connect, and thrive. So the project room scene provides a positive counter-weight to these destructive development processes as a living, breathing, collaborative, and inclusive network. I hope that this fabulous project room network does not drown in the indifference of mainstream political thinking in the city of Berlin.
For many decades Berlin has developed a lively, diverse, and independent way of producing culture and counteracting government decisions, based on, local, generous, and enthusiastic, but also worried, social communities that exchanged resources and ideas within a larger political debate. The city became a “natural” shelter and fertile environment for dissidents, artists, political refugees, and immigrants with any background also due to the need to overcome a traumatic past full of human generated atrocities that are still present in people memories and behaviour.