Auszeichnung
künstlerischer Projekträume
und -initiativen
Auszeichnung
künstlerischer Projekträume
und -initiativen
Archiv
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Information
Stipendien 2021
Stipendien 2022
Statements
Rückblick
Kontakt
Impressum
2014
,
OZEAN
2014
,
2010–2014
ozean-berlin.com
Hester Oerlemans,
Danny,
2013
Max Frisinger,
Red Sea,
2013
For many decades Berlin has developed a lively, diverse, and independent way of producing culture and counteracting government decisions, based on, local, generous, and enthusiastic, but also worried, social communities that exchanged resources and ideas within a larger political debate. The city became a “natural” shelter and fertile environment for dissidents, artists, political refugees, and immigrants with any background also due to the need to overcome a traumatic past full of human generated atrocities that are still present in people memories and behaviour.
Wenn die Stadt verkauft ist, erübrigen sich alle weiteren Fragen.
To run a space is a form of appreciation of other artists, it is an outcome of friendship and mutual understanding; it is an indication of trust between all involved. To run a space means to take responsibility. To run a space is not only self-organization – money may not be vital to put up a show – but it is for sure necessary to animate a space and keep it alive. The prize comes due to hard and merited work, but maybe a grant would be more befitting than a prize? Maybe an iron scaffold holding up a structure in advance is better suited than a gold star for accomplishments? To run a space is a full time job. A group of artists who share their enthusiasm, interests, time, and skills would impart a project with a larger circulation of assignments between the makers. I am convinced that the longevity and success of a space relies on a horizontally organized (net) work.