… Still nowadays, the more and more international “g-local” Berliner independent cultural scene has been able to grow, interconnect, and continue to establish strategies to be a political protagonist of this long debate, also representing an impressive cultural resource to profit from.These try-outs should be understood not in abstract terms, but in the light of the current struggles with labor, housing, racism, homophobia, and anti-fascist positions. If politicians can facilitate these processes for us to work, that would be great. We would wish that the situation wouldn’t look as somber but reality is also knocking on the door of the art sphere. Can politicians regulate the price for studios and project spaces? Can they facilitate real financial support for diversity? Can they push a little bit further and understand the complex situation of art practitioners during and after the pandemic, and give some more support?The Project Space Prize has not only saved many spaces and kept them alive for a longer period but basically generated a unique experimental and diverse art scene in Berlin. The Prize has also very much encouraged the founding of new spaces, fueled by the hope of receiving funding at some point. More than anything, it is an example of how much a certain public funding strategy can completely shape a local art scene.