2014,

Spor Klübü

2019, 2014,

2003

Freienwalder Straße

31

Berlin

13359

sporkluebue.de

Michelle Atherton, Jette Gejl, TV MCCormack, It doesn’t have a Shape, it has a Shadow, 2019, Foto: M. Mayer

TRANSIT-series#1, Johannes Bünemann, Karthamazän, 2018, Foto: Matthias Mayer

These try-outs should be understood not in abstract terms, but in the light of the current struggles with labor, housing, racism, homophobia, and anti-fascist positions. If politicians can facilitate these processes for us to work, that would be great. We would wish that the situation wouldn’t look as somber but reality is also knocking on the door of the art sphere. Can politicians regulate the price for studios and project spaces? Can they facilitate real financial support for diversity? Can they push a little bit further and understand the complex situation of art practitioners during and after the pandemic, and give some more support?It’s hard to look back on the last ten years and not get distracted by Co-Vid and the massive interruption that has caused in all aspects of life. But generally, Berlin is getting more expensive, no news there: There are less store fronts perhaps to rent for a project space than there used to be. Facebook is no longer used as an announcement tool. Do young people still flock to Berlin?Die Coronapandemie hat uns merkwürdigerweise eher resilienter und produktiver gemacht − und darin bestärkt, immer wieder hinaus in den Stadtraum zu gehen, um zu versuchen, Einfluss zu nehmen.