Auszeichnung
künstlerischer Projekträume
und -initiativen

MEINBLAU e. V.

1997
Christinenstraße
18/19
Berlin
10119

Charlotte Menin, Les Enfants de la Frontière Sud, 2020, Foto: Charlotte Menin

Facing North Korea, 2018, Foto: Bernhard Draz

Every hour one puts into the project will be missed in your own practice. Project spaces are significant to counter the institutions and their market-oriented curated productions. They still have the ­capac­ity to foster artistic practices and communities, but also to be resistant to general tendencies and trends. Perhaps project spaces are now what once were the underground and the avant-garde.To run a space is a form of appreciation of other artists, it is an outcome of friendship and mutual understanding; it is an indication of trust between all involved. To run a space means to take responsibility. To run a space is not only self-organization – money may not be vital to put up a show – but it is for sure necessary to animate a space and keep it alive. The prize comes due to hard and merited work, but maybe a grant would be more befitting than a prize? Maybe an iron scaffold holding up a structure in advance is better suited than a gold star for accomplishments? To run a space is a full time job. A group of artists who share their enthusiasm, interests, time, and skills would impart a project with a larger circulation of assignments between the makers. I am convinced that the longevity and success of a space relies on a horizontally organized (net) work.I have never really been a friend of these kinds of networks, but from what I can see, you have done a pretty good job for the visibility of and necessity for free spaces.