2016,

LAGE EGAL

2016,

2012

Greifswalder Straße

34

Berlin

10405

lage-egal.net

Patxi Bergé, MACHEN SIE ES SICH INZWISCHEN BEQUEM, 2018, Foto: Patxi Bergé

Anja Schwörer, Klaus-Martin Treder, NOT SO A WHITE CUBE #11 – LOOPS / THINGS, 2019, Foto: Paula G. Vidal

The commercialization of the contemporary art scene in the last decade has created alienation and dissociation from the audience. The social filters at the established exhibition spaces, the sterilization of methods of presentation, and over-professionalism have created an image and perception of inaccessibility. In that respect, project spaces and art initiatives that resist these dynamics and strive for keeping direct social contact maintain the political potential of artistic practice. We don’t promote the conventional star system in selecting the artists we are collaborating with; we don’t pursue a hierarchical method by employing an omnipotent curator; we value the critical content and formal experimentalism of the artworks rather than the conditions of their presentation, and we don’t sell any artworks in our space; we don’t invest our energy in commercial speculation. We put an emphasis on the collective and on the social. We keep contact with our immediate neighborhood (in Neukölln), and we prioritize the knowledge about and the cultural accumulation of a particular geography. Hence, we engage in a counter-position against the dominant dynamics that have shaped the field of the contemporary art scene in the last decade. The pandemic condition has also been a drastic element that forced actors in the field to reconsider methods of presentation and social contact.Es sollten möglichst einfache, kurzfristige Förderungen entwickelt werden, die dem Geist künstlerischer Aktionen entgegenkommen.Wir denken, dass Kunst ein Bewusstsein und eine Identität schafft, aus denen überhaupt erst politisch gehandelt werden kann.