2017,

CargoCult

2017,

2012

Initiative

cargocult.de

Blinde Winkel, Kunstverein am Rosa-Luxemburg Platz, 2020

parrot in a colemine, Kunstpunkt, 2018

Ohne die Projekträume und die Spielfelder, die sie bilden, wäre die Kulturlandschaft der Stadt Berlin eine Brache.Art should first and foremost raise questions that are important for present and future societies. In the last decade, art has moved closer to science, technology, and society. It has become less commercialized and more diverse. We would like art to become not only illustrative and speculative, but also functional, embedding even more science and technologies within itself. This would encourage the audience to be even closer to art, perhaps more critical, diverse, tolerant, and creative.There is probably no ideal project space, and that is exactly what is ideal about this format; the openness and the freedom that allows it to take any shape and direction. Project spaces are versatile structures that can be morphed in many different ways, reflecting the circumstances and the people that are part of the process. To us, a project space is a kind of utopia, although there is no fixed concept of an ideal project space. Project spaces are very much constantly evolving, changing, and adapting.