Auszeichnung
künstlerischer Projekträume
und -initiativen
Auszeichnung
künstlerischer Projekträume
und -initiativen
Archiv
:
2023
,
2022
,
2021
,
2020
,
2019
,
2018
,
2017
,
2016
,
2015
,
2014
,
2013
,
2012
Events
Archiv
Information
Stipendien 2021
Stipendien 2022
Statements
Rückblick
Kontakt
Impressum
2016
,
Art-Lab Berlin im iPhonedoctor
2016
,
2022
,
2012
Perleberger Straße
60
Berlin
10559
artlabberlin.wordpress.com
Kunst kann Dialoge über gesellschaftliche Prozesse öffnen und vermitteln, sie kann Orte in der Stadt als Handlungsorte definieren und zugänglich machen. Darin ist sie ein wichtiges Element gesellschaftlicher Partizipation und politischer Willensbildungsprozesse. Das zeigt sich auch in der Ausweitung eines der Kunst zugeordneten Felds auf fast alle gesellschaftliche Kontexte. Die Stärke der Kunst ist es, in verschiedenen Räumen lebendig und erfahrbar zu werden. Somit bietet sie eine Schnittstelle für unterschiedliche Perspektiven und einen lebendigen Austausch.
The commercialization of the contemporary art scene in the last decade has created alienation and dissociation from the audience. The social filters at the established exhibition spaces, the sterilization of methods of presentation, and over-professionalism have created an image and perception of inaccessibility. In that respect, project spaces and art initiatives that resist these dynamics and strive for keeping direct social contact maintain the political potential of artistic practice. We don’t promote the conventional star system in selecting the artists we are collaborating with; we don’t pursue a hierarchical method by employing an omnipotent curator; we value the critical content and formal experimentalism of the artworks rather than the conditions of their presentation, and we don’t sell any artworks in our space; we don’t invest our energy in commercial speculation. We put an emphasis on the collective and on the social. We keep contact with our immediate neighborhood (in Neukölln), and we prioritize the knowledge about and the cultural accumulation of a particular geography. Hence, we engage in a counter-position against the dominant dynamics that have shaped the field of the contemporary art scene in the last decade. The pandemic condition has also been a drastic element that forced actors in the field to reconsider methods of presentation and social contact.
It’s hard to look back on the last ten years and not get distracted by Co-Vid and the massive interruption that has caused in all aspects of life. But generally, Berlin is getting more expensive, no news there: There are less store fronts perhaps to rent for a project space than there used to be. Facebook is no longer used as an announcement tool. Do young people still flock to Berlin?