Every hour one puts into the project will be missed in your own practice. Project spaces are significant to counter the institutions and their market-oriented curated productions. They still have the capacity to foster artistic practices and communities, but also to be resistant to general tendencies and trends. Perhaps project spaces are now what once were the underground and the avant-garde.These try-outs should be understood not in abstract terms, but in the light of the current struggles with labor, housing, racism, homophobia, and anti-fascist positions. If politicians can facilitate these processes for us to work, that would be great. We would wish that the situation wouldn’t look as somber but reality is also knocking on the door of the art sphere. Can politicians regulate the price for studios and project spaces? Can they facilitate real financial support for diversity? Can they push a little bit further and understand the complex situation of art practitioners during and after the pandemic, and give some more support?The art scene, spaces, artists, and initiators in the past ten years (being a continuum of what has gone before) in a nutshell, can be seen to have changed from individual authorships to more collective ones. They act in opposition to the anonymized corporate structures, in particular the giant housing conglomerates (these destructive collective edifices that have the same legal rights as a sentient individual human being) that threaten to dissemble the unique fabric of the city of Berlin that provided a fertile ground in which these initiatives could rise, connect, and thrive. So the project room scene provides a positive counter-weight to these destructive development processes as a living, breathing, collaborative, and inclusive network. I hope that this fabulous project room network does not drown in the indifference of mainstream political thinking in the city of Berlin.