So ist der ideale Projektraum vor allem ein Raum, in dem der Wert eines Werkes nicht durch seinen Verkauf definiert wird.I have never really been a friend of these kinds of networks, but from what I can see, you have done a pretty good job for the visibility of and necessity for free spaces.These try-outs should be understood not in abstract terms, but in the light of the current struggles with labor, housing, racism, homophobia, and anti-fascist positions. If politicians can facilitate these processes for us to work, that would be great. We would wish that the situation wouldn’t look as somber but reality is also knocking on the door of the art sphere. Can politicians regulate the price for studios and project spaces? Can they facilitate real financial support for diversity? Can they push a little bit further and understand the complex situation of art practitioners during and after the pandemic, and give some more support?