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Soline Krug & Martin Remus, The Deepess Stage, 2018, Foto: Chroma
Manon Malan, 2019, Foto: Chroma
It just makes my heart sing. Despite all that, I believe in art, but I guess it is about time to find new ways (again).
I have never really been a friend of these kinds of networks, but from what I can see, you have done a pretty good job for the visibility of and necessity for free spaces.
Nach den Künstler*innen und Architekt*innen kamen die Designer*innen. Heute sind’s die Start-upper*innen.